We certainly enjoyed CTM’s parallel exhibition “Esemplasticism: The Truth is a Compromise”.
A bunch of young International artists
shaping disparate things into a unified whole
Recognition, Emotions, Desire –>
A color-, play- and tasteful reflection on the suggested superficiality of our hyper-technological world that tends to fancy technology over artistic vision and where we engage in *a* future discourse that externalizes imagination and idolizes gadgets with our heads turned towards the past.
“When art no longer functions on an emotional or philosophic level, when it is unreflective and contributes nothing to our experiences of constructing meaning, what truth are we compromising?”